Connected again by Ms. Julia Callahan, I have spent the last couple of weeks corresponding with a lovely woman named Adrienne Sharp, authoress of The True Memoirs of Little K.
Ms. Sharp's laid back openness was like a warm blanket on my jangled nerves. I had so much I wanted to learn from her and had trouble reining in my eagerness, yet she was perfectly calm and easy going about the exchange. If you're interested in my full review of the book, well here ya go.
Ms. Sharp's laid back openness was like a warm blanket on my jangled nerves. I had so much I wanted to learn from her and had trouble reining in my eagerness, yet she was perfectly calm and easy going about the exchange. If you're interested in my full review of the book, well here ya go.
Okay.
Following is our emailed interview.
Following is our emailed interview.
I am still crossing my fingers
to someday visit Los Angeles and buy her lunch.
to someday visit Los Angeles and buy her lunch.
Or instead, maybe she'll visit the farm
and teach me how to write fictive action!
Adrienne, I'll make shortbread and hot tea.
C'mon... We have plenty of room. xoxoxo
How did you arrive at the original idea for this book, and
then how did you choose from which character's perspective to tell the story?
Because I was a ballet girl and I read ballet history
voraciously, I knew about the famous Kschessinska and I knew vaguely that she
was the mistress of Nicholas II. But it wasn't until I wrote about the
choreographer George Balanchine as a little boy in imperial Russia in my last
novel that I drew close to the material for Little K. She was a perfect product
of her place and time—a social climbing ballerina who used the stage as her
platform to socialize with the balletomanes of Nicholas II’s court—and as
almost all the counts, grand dukes, and tsars were big balletomanes, her access
was limitless. As apparently, were her charms and her ambition.
If your book is translated to a film, what actors and
actresses do you like for which roles? May I please suggest Robin Wright for
Alix? Perfection…
Robin Wright—perfect as Alix. Kschessinska? Catherine Zeta-Jones? She’s a
dancer, she’s small, and she can be gritty.
You said it took you a few years of research to write this
(incredible) book…during the research and writing, did you ever want to change
perspective or direction? Do you have any drafts laying around that were
sketched out from, say, Niki’s perspective? (What a read that would be too!)
K was my girl right from the start. But what I did think
about doing was an overlay of marginalia from her son Vova’s point of view. She
was writing this memoir for him, and I thought it would be fun for him to
comment on what she wrote and to reveal what it was like to be her son, to
provide his perspective of those scenes she recalls. (I suspect he was
homosexual, though no one ever mentions this in my research.) But my editor
overruled me—she thought the marginalia thing had become a bit too much of a
trendy thing to do. But I still like the idea.
I thought the touch of placing young revolutionary Vladimir Lenin in K's ransacked palace was brilliant and terrifying, especially that he sat at
the tsarevich’s little school desk and wrote in his notebook! Is there any history
behind that, or is it a wonderful piece of fiction from your mind?
The nascent Bolsheviks did take over her palace and Lenin did in fact take Mathilde’s son’s bedroom for his study. I invented the part about Lenin writing in Vova’s school notebooks--or rather, appropriated the idea of using a child’s notebook for political work. Nicholas’s brother Michael’s abdication as tsar in 1917 was written in a child’s notebook, grabbed from the desk of the palace of friends, where he happened to be staying as a guest.
Did you know what your stopping point would be before you
started? I personally did not predict where we ended up and was delighted and satisfied
completely. But surprised above all. Did you decide that early on?
I always planned to end with K preparing for death, sorting
through the items she wanted in the coffin with her. But when I got there, this
seemed too gloomy an ending. So I gave it some juice, bringing back some of her
old defiance, her belief that the old order would be restored, that her son
would find his rightful place. Otherwise, she couldn't die. She was too worried
about what would happen to her son without her. In reality, he ended up on
public assistance and in public housing. So she was right to be worried.
How did you do your research: history books, internet,
interviews? Did you compose your story as you went along, alternately with
doing the research, or did you amass all of your background knowledge first
then devote yourself to the fiction? What was your daily life like during those
years?
I used books, articles, and the internet—and I researched
all along the way—to the bitter end. In fact, when I was working on my galleys
I couldn't stop adding details I was culling from my nonstop reading. When I
started researching, I couldn't keep any of the Romanovs straight—they all have
the same names! By the end of it, I could spot misidentified photo captions.
Have you visited any cities in Russia? Or Paris?
I’ve been to Paris, but I’ve visited Russia only in my
research.
As a ballerina, have you danced any of the ballets described
in your book? Or are these even still alive?
Since I was only a ballet girl, essentially a talented
scholarship girl in training to be a dancer, I never danced in any of the
ballets described in my book. But because I was a ballet girl, I’ve seen almost
all of those ballets performed. And those ballets Petipa created for the
Imperial Ballet have become the foundation of almost every classical ballet
company, except for those created
especially for the tsar’s private viewing pleasure at those hermitage
performances, like the Four Seasons.
I would love some solid advice on the mechanics and mindset
of keeping so many complex characters organized and effective! What a feat… so
many personalities and passions kept alive over so many decades. I am having
trouble writing a story about a dozen Sea Monkeys. Help me?
Honestly, I don’t know how I did it—except by many rewrites.
Honestly, I don’t know how I did it—except by many rewrites.
Fascinating to me that a contemporary author is taking the
time to reread a classic, War and Peace, especially
such a long work, and not for the
first time. I’m going to take that as good advice for
all of us. What else are you reading lately? Who are your favorite authors?
You know something? War and Peace is short on specific,
concrete details to create setting, and I really miss that. I can’t see the
rooms or streets or clothing. And I’m noting that Tolstoy had some trouble
creating Russia’s war with Napoleon into something more than a dutiful summary
of the action of the battles. It’s very hard even for the master to bend
history into dramatic fictive action. As for reading—I’m reading a lot of
history of Los Angeles circa 1939. And I love Jennifer Egan's work.
Care to give us a glimpse of what other epics are brewing in
your imagination? It’s okay if you’d rather keep that close to your chest. But
I will be reading it, whatever you come up with.
I’m working on a novel tentatively titled “Hollywood Land,”
that looks at how the Russian Jewish immigrants who came to Los Angeles too
ambitious to peddle rags or scrap metal became movie moguls or gangsters, like
Louis B. Mayer or Mickey Cohen. They created a parallel universe in the
city—since they weren't welcome in the institutions already there. So they
built their own racetrack, country club, cotillion, hospital, talent agencies
and law firms.
My main character is an eight year old boy who watches his
mother dancing as a Busby Berkeley girl in some of the MGM movie musical extravaganzas
of that time and helping his father as a bookie who falls in with Mickey Cohen
and Bugsy Siegel. So I’m reading about MGM back lots, Louis B. Mayer, and the
Jewish gangsters who controlled the unions, Nazi Bund meetings in the Santa
Monica mountains and the bombing of Pearl Harbor, the Japanese rooted out of
Boyle Heights and sent to Santa Anita racetrack to await deportation to camps
in Arizona, Navy boys waiting for their call ups beating up zoot suiters
downtown—another big canvas, I guess. Woe is me.
Did you read my quick, amateurish thoughts comparing your
heroine to Chiyo in Memoirs of a Geisha?
I am fascinated by this role women play in such different parts of the world.
What do you think? Who do you think had a better life, the ballerina or the
geisha?
The dancer in one of the tsar’s companies in imperial Russia
retired after twenty years with a lifetime pension—so by age thirty-eight she
had some financial independence. Many of the girls married well and raised
happy theater families, the kind of family Mathilde came from. Her sister
married a baron at her retirement. And if a dancer were a woman like Mathilde, willing
to sacrifice respectability for a very wealthy protector or two, she could
accrue some other worldly goods, as well. But she could never really leave her
class—she belonged to the demimonde, not the aristocracy, however she might
play with them. And Mathilde could never have married either of her grand ducal
lovers if there had not been a revolution and the court had not moved to Paris
to live in exile. Even there, she was tolerated, side-lined, and most painful
for her, so was her son—and the two of them were abandoned completely when her
husband, Grand Duke Andrei, died.
Again, thank you. As a daydreaming writer I appreciate
your insights. As a blogger I appreciate your
time and openness. As a reader I am just a fan!!
Thank you—your questions were fabulous and fun to ponder.
Let me know if I can ever help you in any way.
Wasn't that fun, you guys? Isn't she interesting? Every one of her answers triggered at least three new questions in my head, but alas... Life goes on. This just underscores the value and importance of conversation, of exchange and searching in life. I hope you're inspired to read this book if you haven't yet. And I also hope you're inspired to buckle down and write something if that is in your heart.
Happy springtime, Adrienne! So very nice to "meet" you, and best wishes on your exciting new novel!
Scratch Below the Surface!
xoxoxo
Please stop by my blog to pick up your award.
ReplyDeletehttp://myviewthroughkateyes.blogspot.com/2012/02/irresistibly-sweet-blog-award.html
Wow, thanks Kat! Very sweet of you. I am a little weird & unreliable about finishing these fun games but will try my best! I just read your list and loved it...especially the fact that you had never seen a cow before marrying a dairy farmer!! LOL xoxo True love prevails. Thanks for reading! ~m
DeleteM, this is awesome! How fun to interview authors. You know I'll have to change your nickname now, to something more appropriate for a fantastic interviewer.
ReplyDeletexoxo
Aww! Okay I am equally excited and terrified.
Deletefascinating. How interesting is it to speak and hold an interview with a writer of a book you really enjoyed. I would love to speak to Sir Terry Pratchett, although I have heard him speak and his doesn't talk the way I think he should (I always hear a Sean Connery type voice - sigh, the fickleness of being human).
ReplyDeleteAgreed! I am so lucky to get to do this. As for the audible voice, I agree with that too. I have these persona ideas about how people sound, including YOU! And I think any man with the title "Sir" should definitely sound like Mr. Connery. LOL
DeleteFantastic interview, Marie. I'm thrilled for you that you had this opportunity. And now I MUST read this book.
ReplyDeleteHope all is well and the farm is thriving!!
Hi Heather! Thank you, it was so fun. And I will check and see who is net on my borrow list, then get this to you if you don't already have it. It's really luscious, and I am excited for her next title to be published!
DeleteThe farm is thriving for sure. One of the healthiest, most hopeful seasons ever. Very busy, lots of full days and fun nights. xo
I am a ballet girl myself and love everything about this post! I need to check out The True Memoirs ASAP!
ReplyDeleteI tried to comment on this yesterday and Blogger freaked out on me. You have such a gift for interviewing! You bring out the best answers from people. I hope you do many, many more of these kinds of things. I am learning so much!
ReplyDeleteIf you enjoy the novels of Adrienne Sharp, you may want to check out Germaine Shames' new ballet-themed novel "You, Fascinating You" based on the true story of Margit Wolf who, banned from the stage by Mussolini, inspired a timeless love song only to fade from history without a trace. It's epic!
ReplyDelete